Beyond the Stage
8 minutes read time. Are Caribbean theatre schools preparing students for the creative economy or only the stage? The World University of Design in India recently announced new four year…
8 minutes read time. Are Caribbean theatre schools preparing students for the creative economy or only the stage? The World University of Design in India recently announced new four year…
The Festival Economy: Why Events Could Become One of Jamaica’s Most Powerful Economic Engines When most people think about festivals, they think about entertainment. They think about the stage. The…
Can Jamaica Build a Billion Dollar Creative Economy? Jamaica has long been one of the world’s most influential cultural nations. That statement is not an expression of patriotism. It is…
What does it mean to be Caribbean? The answer has never been simple. The Caribbean is one of the most culturally diverse regions in the world. Its people descend from…
Before there were publishing houses, radio stations, film studios or social media platforms, there were stories. Across the Caribbean, generations passed down history, values, beliefs and cultural knowledge through spoken…
What Jamaica’s New Creative Economy Policy Means for Artists, Performers and Cultural Practitioners Whenever a new government policy is released, creatives often ask the same question: “What does this mean…
Why Jamaica’s New Creative Economy Policy Matters For years, Jamaican creatives have been told that culture is one of our greatest assets. Politicians have said it. Business leaders have said…
For decades, Jamaica’s culture has been one of the country’s most powerful exports. Our music has travelled the globe. Our language has shaped international popular culture. Our athletes, storytellers, dancers,…
“Brazen To Di Bone,” directed by Pablo Hoilett, is a Jamaican farce that centers on Alrick Smith, a man ensnared in a web of lies about government benefits. As he navigates the chaos of his situation, the play explores themes of deception and the absurd lengths individuals go to maintain their fabrications. The production excels through performances, particularly by Christopher “Johnny” Daley and Donald “Iceman” Anderson, who bring humor and authenticity to their roles. While technical aspects may falter, the cast’s chemistry and timing elevate the experience. Overall, it successfully merges classic farcical elements with Jamaican cultural nuances, enriching the theatrical landscape.
We Are The Beat · April 2025 · Theatre & Culture Jamaica has a new standard bearer for performing arts recognition. The Phoenix Awards — rooted in the motto “Inclusivity…